You can put him in outer space, two thousand years from now. You don't even really need Sherlock Holmes, you just need a character named "Sherlock Holmes. At the moment, Sherlock Holmes is in the sweet spot: a literary character old enough for his author's copyright to have expired, but fresh and interesting enough that audiences still love him. Therefore, we are glutted with Sherlock Holmeses. Elementary keeps rolling on CBS. Guy Ritchie's Holmes franchise is going on to number three, after the sequel brought in half a billion dollars.
That's a lot of deerstalker caps. Our modern obsession with this character isn't particularly novel. Holmes has been a continuous hit since his creation, and he was the first fictional character that fans really took ownership of — after Arthur Conan Doyle tried to kill him off, they refused to accept his death and wrote their own Holmes stories.
Part of Holmes's undying appeal is due to his being the perfect example of what E. Forster called a flat, as opposed to a round, character. Round characters are fully developed. They imitate real people, insofar as they are changeable and unpredictable, while maintaining continuity.
Flat characters are static and don't change much, if at all. If it does not convince, it is a flat pretending to be round. It has the incalculability of life about it — life within the pages of a book.
Sanchit Khera May 11, , am. Forgot your password? Remember Me. Please enter your username or email address. You will receive a link to create a new password via email. Already have an account? Login instead. Lessons for Marketing These basic principles apply to marketing as well. After people watch your 30second tv spot, or read an article on your blog, they should have the answers to the following questions:- Promise — What does this brand promise me, and can it deliver on that promise?
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How many Sherlock Holmes movie with Robert Downey jr? Is Sherlock Holmes just a story? Our love of vampires can be traced to the vision of Bram Stoker. Our Christmas traditions are heavily indebted to the stories of Charles Dickens. Sherlock Holmes — kept alive by a menagerie of TV shows, films, memorabilia, and readers — is no different.
The suspense is enhanced by modern possibilities—text messages from the enemy, bombs in the metro, analysis in the laboratory—but the core appeal remains much the same. It is no secret we come to the stories and character of Sherlock Holmes in part for mystery and excitement. But Sir Arthur Conan Doyle's Sherlock stories endure, especially for us today, for their treatment of friendship, work, and loneliness.
Sherlock Holmes is a master of deduction and observation, and in the contemporary mind, he is a kind of savant. When Sherlock is working on a case, he is completely invested in it, immune to distraction until he solves the puzzle. Sherlock gets to the bottom of things, to the truth concealed by mountains of trifles, legerdemain, and deception.
Everything in this world is a puzzle. All around us has a hidden meaning and is shrouded in secrecy, and one who looks for secrets never rests.
Sherlock , portrayed by Benedict Cumberbatch, is not dissimilar from the type of Silicon Valley wiz we see portrayed in movies today. His work consumes him, and his talents come at the expense of his social skills.
He lives so much within the rational, logical, and analytic mind that other sensitivities—more human ones—necessarily suffer.
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